I love it. It's the best thing I've made. It fits him perfectly (actually, I haven't blocked it yet, but if it stretches a little that won't matter. He wore it to work the morning after I sewed on the buttons (oh, for a workplace where this outfit is acceptable!) Isn't it just the bomb? I love how it's sort of quirky and rustic and... just cool.
I'm not sure what else to say about this. The pattern worked out well. Ysolda hasn't done the tutes for the sleeves yet, so I worked out the decreases that I'd need to make and spaced them evenly down the length of the sleeve, working them where the sleeve seam would be if there were one. Turns out I did my maths a bit wrong, so after five decreases every ninth row, I did another eleven (I think) every seventh row. Seems to have worked out okay.
Sure, the flash is annoying, but it shows the wool detail a little better. You can see the variations in the handspun. And the delicious warm aspect in the natural black colour.
In an update on the guy at work I taught to knit: he came into my office the other day to show me that he'd bought Debbie Stoller's Stitch'n'Bitch in his lunchbreak. He also indicated that he'd gone a little awry with the knitting I set up for him, so I suggested he bring it to my office and I could look at it. He rushed in, then closed the door and dropped the blinds so noone could see that he (or I, I guess) were looking at knitting. He's terribly self-conscious about it. Any suggestions on how to make it better?